If you’re just get started with photography, then you’re probably wondering what the best camera for beginners is, and which one you should splash your hard earned cash on.
So today, here we give you just THREE cameras to choose from, so that you can narrow down the options from the 100’s to single digits, and ideally, get your first camera picked out within the next hour 🙌
Searching for cameras can be a time suck, and the truth is, there is little difference between brands, (so canon v nikon is not generally a deal breaker!) plus you’re probably already constrained by your budget, which narrows down the options a fair bit all on it’s ownsome.
You also don’t want anything too advanced so you can take your first steps without being overwhelmed, but you also want something that you can grow into as your skills develop.
Getting the right DSLR or mirrorless camera will give you the CONTROL you need to take better photos, without making you frustrated. Because in order to get photos that you love and that have a more of a professional look to them, you’re going to want to make choices about the camera settings yourself, rather than letting a bunch of wires and sensors do it for you 😉
That’s things like choosing your own aperture, shutter speed and ISO in manual mode in order for your photos to have a certain “look”, taking control of focus so that your images are tack sharp, or setting the right colour yourself all means that you’ll get better results, and fall in love with the photos you take.
So although getting the right camera is an important part of photography, the thing that will make the BIGGEST difference to your photos is actually learning how to use it.
All of these cameras on this page have a good level of features, which will give you that control we’ve just been talking about, but won’t require you to take out a second mortgage on your home to get out of the store.
Enough talk, let’s dive in!
Option #1 – Canon Rebel T8i DSLR Camera
This T8i camera gives you a whopping 24 megapixels, which is more than you will ever need.
In case you don’t know, the number of megapixels can be important because it determines how large you can print your images, and still have good image quality: more megapixels means larger images. But the other reason we pay attention to this is because it gives you a little bit of leeway when cropping your images, as you can crop away half your picture and STILL have enough to get a large print!
The other thing I like about this camera is that it shoots at 7.5 frames per second, and has 45 auto-focus points, both of which are fantastic features for shooting action images, such as a running toddler, sports days or wildlife.
The frames per second is how fast your camera can actually take a picture (and sometimes with action you have to take several in quick succession) and more focus points gives you more to choose from, so that you can get your focus exactly where you want it.
It also has wireless capability which is great for sharing your photos, and it can record video too, should you wish to do that.
All in all, it’s a great all rounder that will allow you to take fantastic images with beautiful clarity (once you learn how to use it!) but isn’t too complicated to learn and use as a beginner.
Option #2 – Nikon D5600
This model has been around for a while, but probably for good reason!
Just as with the Canon version above, it has 24 MP and also has wifi and video capabilities.
It has 39 Auto-Focus points, and it shoots at 5fps, so again, enough focus points to help you get accurate focus, and the FPS is decent; not quite as fast as the Canon Rebel, but still good.
Again, this camera is advanced enough for you to get the control you need, and keep you happy for a good long while, whilst not being overly complicated with too many bells and whistles for when you’re still getting to grip with the basics.
Option #3 – Sony Alpha A6400 Mirrorless
Nowadays, Mirrorless cameras are real contenders to DSLR cameras, because they are smaller and more lightweight than their DSLR counterparts, and their focusing systems (which once lagged behind) have been significantly improved, so they are definitely worth considering.
This model is again 24 Megapixels (same as the Canon or Nikon) but shoots at a whopping 11 frames per second, which is FAST, and 424 focus points, which is, quite frankly, bananas.
With wireless and video capabilities too, it’s another great all rounder, but if size and weight is your primary consideration, then this is the one to go for.
So, what’s all this about lenses?!
Lenses are a whole other story, and just as important (if not more so!) than your camera body.
Most entry level cameras come complete with what is known as a “kit lens’. These are relatively inexpensive lenses, and are pretty versatile, so they can be used for lots of different types of photos. (Both the Canon and Nikon versions in this post come with a kit lens)
However, these kit lenses are not the best to have, because they won’t give you a nice wide aperture (useful for low light shots or getting yummy, blurry backgrounds) nor are they particularly quick to focus (bad for capturing action shots) and at the risk of offending them, they just simply aren’t the sharpest lens on the block.
That’s why I generally recommend skipping the kit lens (if it’s worth it to do so) and buy the body only, and get a different lens instead.
Again, there are lots and lots and lots of options here (photographers do love some lens talk ) but let me narrow this down significantly and tell you that the almost universal upgrade lens is what’s known as the “Nifty Fifty” a.k.a the 50mm F1.8 Lens.
The price of these is not bank breaking, but still a definite step up from the kit lens.
Having that better lens will pay you back tenfold in low light situations (because you can let MORE of the limited light into the camera via your aperture) give you the soft buttery background blur I know you want, and help give you sharper images.
High quality product photography is essential for apparel ecommerce. For many customers, you need more than just a great product description—your images will determine whether or not they buy your product.
But essential doesn’t have to mean expensive. The difference between professional and amateur is only experience.
If you have an eye for photography and a modest budget, read on. This guide walks you through how to photograph a piece of clothing, with photography tips to keep in mind during your shoot.
Clothing photography equipment
The equipment you use in your shoot depends on your budget. You can keep spending low by buying a few low-cost items. Or you can buy more pricey gear if you want special lighting or displays.
Let’s look at the equipment you’ll need for your clothing photography shoot:
Camera
You don’t need the most expensive DSLR camera to take pictures of your clothes. New clothing retailers can manage shoots with a smartphone also. Use whatever camera you have handy, be it a digital camera, a point and shoot, or a smartphone.
Tripod
A tripod eliminates camera shake—accidentally shaking your camera during a shoot. (It happens to everyone.) Simply attach your camera to the tripod, frame the product, and take the photo. It’s easy. Tripods are not a one-size-fits-all thing, so find a tripod that’s compatible with your camera.
Lighting source
You need light to take photos of your clothes. If you have a room with a window that welcomes natural light, you can shoot there. If you don’t, you’ll need artificial lighting, like a softbox. You can find artificial lighting products on Amazon.
Note: don’t get mixed up in all the photography lighting kits you find online. You don’t need the LED lights and reflectors right away. Keep your setup simple, and once you get comfortable behind the camera, you can introduce new elements to your shoots.
Foam boards
Whether you’re shooting with window or artificial light, there’s always a shadow side of the product. It’s normally too dark to produce a good image. You can place a white foam board to reflect light back into the shadow to brighten it up.
Clamps or tape
If you decide to shoot on a table, you’ll want tapes or clamps to keep your foam boards and sweeps in place.
Backdrop
Get a white background for your shoot. If you’re going to shoot a lot of products at once, consider buying a paper white sweep. Paper sweeps are huge rolls of white paper. You can use them to create white backgrounds to photograph your clothing on. If the sweep gets dirty, you can cut the dirty piece and roll out a new clean one.
An alternative to white sweeps is a poster board. You can find them at your local drug store or online for cheap.
Mannequin or model
Mannequins are a nice-to-have in clothing photography. An alternative is asking a friend or family member to model the clothing for you.
The alternative is a flat surface or table to take photos on. It’s popular for brands shooting flat lay clothing. This means your clothing is laid on the surface and you’re shooting from above at a 90-degree angle.
7 steps to photograph clothing
Prepare your clothing
Set up your photo studio
Position lighting
Style it
Set your camera
Take the photo
Finalize in post
1. Prepare your clothing
Your products should look their absolute best in your images. It’s an unfortunate fact that clothing can become wrinkled, creased, and begin to look worn from storage and transport. Clothing samples face a particularly rough time, as they often cover a lot of miles and may not have been perfectly constructed to begin with.
Preparing garments to be photographed is a crucial starting point for photographing your products, yet many photographers skip this step and rely on Photoshop or free photo editing software to fix wrinkles, stains, and other visible defects. Don’t do that. Photoshop isn’t magic: it takes time and expertise to master advanced editing techniques, and excessive editing risks compromising image quality.
Try to capture your garment in a state as close to perfect as possible and use Photoshop only to add final touches and color correction.
Thoroughly examine your product from top to bottom, inside and out. Are there any tags, stickers, or other types of identifying materials that need to be removed? Do so. Has the product become wrinkled or creased during storage? Iron or steam it. Repair damages and remove distractions; for example, use lint rollers or tape to remove dust and strings.
2. Set up your photo studio
With a few items, you can turn nearly any room with space into a photography studio. You can get by with a camera, tripod, white wall, C-stand, duct tape, and natural light. If you have a little more to spend and want control over when and where you shoot, it’s worth investing in a few more pieces of equipment.
Make sure to clear all clutter from your area. You’ll want a clean space to stay organized and do the best work.
Backdrop
Always use a white or light grey backdrop to prevent distractions and ensure you capture colors as accurately as possible. Seamless rolls of white paper are ideally suited, cheap, and readily available at any photography supply store.
Sweep the roll to the floor so that it is curved, preventing creases and distracting shadows, and fasten it with tape.
Using a stand will give you more flexibility in where you position your background, allowing you room to maneuver around the studio. If you’re on a bootstrapped budget, you can tape the seamless roll to the ceiling or a wall.
Position your product on a model or mannequin in the middle of the backdrop and directly in front of where your camera will be.
Camera
Your camera is a vital part of your product photography, but don’t make the mistake of assuming it alone will determine your success. It’s just one piece of the puzzle, and you don’t have to put your entire budget into it. We recommend you use a DSLR that has, at a minimum, manual exposure and aperture settings, or using a very inexpensive alternative right at your fingerprints: your smartphone!
Use a tripod. The stability will eliminate camera shake and ensure your shots are consistent, while also freeing you to use your hands on other tasks. You don’t need to spend a lot of money on a tripod, but it’s essential that you use one.
Position your tripod and camera so that it directly faces the product. Most of the time, you will not move the camera throughout the shoot. For different angles, move the product.
Lighting
Natural window light is an inexpensive and high quality light source for any apparel photographer. If you have a large window and abundant natural light, great! It may be all you need. However, if you have the means, we highly recommend that you rent or invest in an easy-to-use lighting kit.
Having artificial lighting equipment at your disposal will enable you to shoot when there simply isn’t enough light coming in through the window. The added versatility can dramatically increase your efficiency, while consistent lighting helps you set a professional standard. For a single light setup, you’ll need a light head, softbox, C-stand, battery pack, and pocket wizard.
The “light head” is what you might think of as the light itself. We suggest you start with a mono strobe light head, called a “monolight.” This may be the most expensive portion of your kit—possibly more expensive than your camera—so take some time to research and find your best long-term fit.
A softbox is necessary to diffuse light and capture your product in an evenly lit and appealing manner. The C-stand will hold your light head and the softbox around it. A pocket wizard will sync your camera and the light, essentially turning your light head into its flash.
3. Position lighting
If you’re using natural light, position your product near a window where it can get even, indirect light. If you’re using a monolight setup, below is a diagram of a bird’s-eye view of an effective lighting setup.
Place one light source and softbox or umbrella at a 45-degree angle to the product so that the lighting on the product is soft and even throughout. Keep your camera directly in front of your subject. If you have placed the product too close to the background, you may get some shadowing. If this happens, simply move the subject farther away from the backdrop to achieve a clean, white background. Set your light source’s power to about half.
Manually exposing your image properly is usually just a matter of using your camera’s light meter, which you can find by looking through the viewfinder and adjusting settings to make the meter notches reach 0.
It isn’t so simple when you’re using a strobe, since there is no lighting for the camera to read until the flash fires.
Start with your shutter speed set at 1/200 or below and your aperture set at f-11 or higher. From there, you will need to take test shots and tweak your camera settings to achieve optimal exposure and focusing.
Allow time for recharging between flashes. Depending on the strength of your battery pack, your light source may not fire on time if you shoot too quickly.
4. Styling
Models are desirable because a live body helps a customer relate to your product and adds a higher degree of professionalism, but it can also make for an unpredictable process. Models make clothing come to life, but professionals are extremely expensive.
Mannequins
Mannequins are great because they’re affordable, consistent, and easy to work with.
Take time to style your product on the mannequin; if your garment looks too big, try fitting it closer to your mannequin by pinning it and tucking it until it fits properly.
If you’re concerned a mannequin may be distracting or cheapen your product, you can use the ghost mannequin technique in post-production processing. A few additional shots of each product will allow you to remove the mannequin from your product images and present a 3D image that demonstrates shape and fit.
Flat lay
“Flat lay” refers to arranging objects on a flat surface and taking the photo from above. It’s also called bird’s-eye view. Flat lay photography is a great alternative to mannequins and models and can help you create beautiful product photos that sell.
It’s a technique used a lot for social media photos. But you can use it for your website content as well.
Hanging apparel
Hanging apparel is used to show products at eye level. It’s budget friendly and is faster than the other techniques mentioned above. Hanging apparel involves hanging clothing on a hook against a wall or white background, then taking the photo.
5. Set your camera
If your camera settings are wrong, then no amount of Photoshopping expertise will be able to make your images look professional. Make sure you understand ISO, aperture, and white balance before you photograph your products.
ISO
Make sure your ISO is no greater than 600–640. Higher ISOs produce distracting “noise” or “grain,” which is grayish or colored speckles that make photographs look more filmic. The higher you go, the worse the noise will be. At higher ISOs the camera can’t capture as much sharpness, so details begin to look soft. Using a tripod will allow you to keep your ISO at 100 or 200 for optimal clarity and sharpness.
Aperture
Aperture, which is represented by the f number of your camera settings (e.g. f-16, f-2.8), controls focus. Generally, the larger the aperture number the more aspects of the image will be in full focus. Make sure to set your aperture higher than f-11; this will allow for all aspects of your products to be in complete focus.
White Balance
Have you ever looked at a photo that seemed like it was taken through a blue or orange filter? The white balance was probably off. Light sources have different warmth’s, creating what’s known as a color cast, which makes it difficult for your camera to determine true white. Your white balance setting controls how the camera interprets the colors it records.
There are many different types of light sources, but the most common are tungsten, fluorescent, LED, and natural sunlight.
You can set your white balance specifically according to the type of light source you’re using or set your white balance to Auto and let the camera decide. Whatever you choose, don’t forget about white balance or you may find yourself hard-pressed to try and recreate accurate colors in Photoshop.
6. Take the photo
At last, it’s finally the moment you’ve been waiting for! Direct your camera at your subject and press half way down on your shutter release button, allow your camera to focus on your subject, and then snap the shot. Adjust your camera settings throughout the shoot if you notice your images need more or less light. The more you shoot, the more instinctive your adjustments will become.
Shoot as many images as possible. You may want to shoot the front and back, 45-degree angles, left and right sides, and any details. Test some close-up shots to highlight any special details about your clothes.
The more shots, the better. You want lots of options to select your final images from, and having more images per product on your website has been demonstrated to increase sales. Customers will be able to trust their impressions of the product if it’s backed up in multiple photographs from multiple angles.
7. Finalize in post
After shooting, it’s time to prepare your product images for the web. The goal of post-production processing is to make your images look as professional as possible while maintaining optimal performance.
This is the simplest and most beneficial step to outsource, since digital assets are easily transferable and the time and cost savings are significant.
If you would rather do it yourself, you should ensure your post-production process addresses alignment, cropping, background removal, and color correction in order to maintain a consistent and professional appearance. Keep a record of your processes so you can develop a standard set of specifications for both shooting and editing.
Alignment
Make sure that your products are all the same size and are centered within each image. You want all of the angles, corners, and edges of your products to line up in relation to one another. The easiest way to ensure that your alignment is spot on is to create guidelines in a Photoshop template.
Cropping
Much like alignment, you should crop product images identically so your customers have a seamless online shopping experience. If you use guidelines for alignment, then cropping consistently and sizing images according to your website’s image specifications should be no problem.
Background
We used a white background, which is a recommended practice and even required by some marketplaces. You can take it a step further and completely eliminate possible distractions by removing the background. Removing the background will allow you more flexibility in web design and modestly decrease file size.
Color
Even with careful attention to white balance, some colors—like neons, reds, and pinks—are difficult to photograph correctly in camera and often need to be tweaked in Photoshop.
Inaccurate representations of colors can leave customers frustrated and dissatisfied, so take a few extra minutes to ensure that the colors of your garments are accurate. The bottom line is that you want the customer to see exactly what they will receive in the mail should they order your product.
There are a number of ways to tweak colors, so get to know Photoshop’s offerings and choose your favorite tool. After you have fixed the colors, make sure to convert your images into SRGB format so different browsers, computer screens, and websites won’t change the accurate colors you worked so hard to create for your customers.
Autumn 