Types of Product Photography

The human brain can process images in only 13 milliseconds — which means you don’t have much time to make a good first impression on your customers. What shoppers see is often a deciding factor in whether they will stay on your site or lose interest, so it’s crucial that you invest in building an online store that catches their eye and keeps them intrigued.

One of the best ways to do this is through great product photography.  

If you’re running an ecommerce business, you probably already know how amazing your products are, but until a customer has your product in-hand, all they have to rely on are the pictures on your website. This is why the best ecommerce websites not only have great products, but also great photos of their products. These images testify to the quality and value of your products and establish transparency into your ecommerce business.

Types of Product Photography

Product photography isn’t one size fits all. Just as your ecommerce store likely features a variety of products and services, product photos also come in a variety of styles and purposes. Some are for everyday use, while others are more unique and only used in special cases. 

Whether you want to maintain a consistent look across your product photos or tastefully mix and match them, it’s important to understand the difference between each type of product photography and how to best capture them.  Below we’ve compiled a list of the six most common types of product shots, when to use them and what they look like in practice:

1. Individual shots. 

One of the most common types of product photos, the individual shot contains only one object in the frame. These are often featured in product catalogs, banner images and throughout product pages to showcase individual products independently from the full collection. 

2. Group shots.

You guessed it — group shots showcase more than one product together. 

Often used for product kits and collections, group photography displays the range and variety of your products and gives the customer a more complete view of your offering. These types of images are perfect for social media posts and advertisements, as they give shoppers a taste of your brand as a whole, rather than just one product. 

3. Lifestyle shots.

This type of photography is where you get to show your products in action. 

Often taken with a model, lifestyle shots tell the story behind your product and show your customers how they can use them in their daily lives. 

While lifestyle photos can complement individual shots on your product page, they’re also perfect for social media, emails, ads and other visual channels, because they catch the eye and make your products feel more personal. 

4. Scale shots.

A common issue with shopping online is not being able to gauge the actual size of a product. While product descriptions may list the dimensions of an item, product photos can be deceiving. 

But with scale shots, you can help your customers get a better idea of the actual size of a product by comparing it with other everyday items, similar to this example . This will help your customers visualize your products in their everyday lives and increase their confidence when purchasing online.  

5. Detailed shots.

For products with small intricacies that require a close-up, including jewelry and other small items, detailed shots help highlight specific product features that a traditional photo might not catch. 

This type of photography often requires specific light and camera settings, such as a macro lens, to capture those delicate shots.  

6. Packaging shots.

Believe it or not, customers care about packaging. 

From browsing your website to making a purchase and receiving their product in the mail, customers seek a shopping experience that is consistent from start to finish. So, even though you may have an amazing product, if your presentation isn’t up to par, your customers might take note. 

And if your products come with beautiful, branded packaging, why not feature it on your product page to give your customers a taste of what to expect?

Packaging shots, feature not only the product itself, but also the product packaging, whether it be a box, bag or label. 

No -one cares

I lend everone my ear,

But nobody my heart,

And I sure would like to change that,

But I don’t know where to start,

I smile more to myself,

Than the world will ever see,

Because the only time my smile is real,

Is in my own company,

People don’t know how I feel,

They never even ask,

It seems that I have fooled them all,

They can’t see past my mask,

If they were with me late at night,

When the world was still asleep,

Maybe then I’d let them sort,

Through the secrets that I keep,

But when I wake at 2am,

Nobody is ever there,

And I learnt that why I hide my heart,

Is because no-one really cares.

Shore Line

Leave your worries by the shore line,

And run your bare feet through the sand,

Let the water be a soft bed,

When you cannot bear to stand,

Make friends with flying seagulls,

And hold the sun up on your palm,

Before you duck beneath the water,

Where the world is mute and calm,

Tell the fish all of your problems,

As they all come swimming past,

When your lungs are close to bursting,

Swim above the waves and gasp,

Let the water hold your sadness,

And waste it right out to the sea,

So like a message in bottle,

All your worries are set free,

And the sea might make you feel alone,

But the world has troubles too,

For how else do you suppose,

That the ocean got so blue?

Let it Enfold You

Either peace or happiness,

let it enfold you

When I was a young girl

I felt these things were

dumb, unsophisticated.

I had bad blood, a twisted

mind, a precarious

upbringing

I was hard as granite, I 

leered at the

sun.

I trusted no woman and

especially no

man.

I was living a hell in

amm rooms, I broke

things, smashed things,

walked through glass,

cursed.

I challenged evrything,

was continually being

evicted , jailed , in and 

out of fights, in and out

of my mind.

men were something

to screw and rail

at , I had no female

friends.

I changed jobs and

cities, I hated holidays,

babies, history,

newspapers, museums,

grandmothers,

marriage, movies,

spiders, garbagemen,

english accents, spain,

france, italy, walnuts and

the colos

orange.

algebra angred me,

opera sickened me,

charlie chaplin was a

fake

and flowers were for

pansies.

peace and happiness to me

were signs of 

inferiority,

tenants of the weak

and

addled

mind.

but as I went on with

my alley fights,

my suicidal years,

my passage through

any number of

women-it gradually

began to occur to 

me

that I wasn’t different

from the

others, I was the same,

they were all fulsome

with hatred,

glossed over with petty

grievances,

the men I fought in

alleys had hearts of stone.

everybody was nudging,

inching, cheating for

some insignificant

advantage,

the lie was the

weapon and the

plot was 

empty,

darkness was the

dictator.

cautiously, I allowed

myself to feel good

at times.

I found moments of

peace in cheap

rooms

just staring at the

knobs of some

dresser

or listening to the

rain in the

dark.

the less I needed

the better I

felt.

maybe the other life had worn me

down.

I no longer found

glamour

in topping somebody

in conversation.

or in mounting the

body of some poor

drunken female

whose life had

slipped away into

sorrow.

I could never accept

life as it was,

i could never gobble

down all its

poisons

but there were parts,

tenuous magic parts

open for the

asking.

I re formulated

I don’t know when,

date, time, all

that 

but the change

occured.

something in me

relaxed, smoothed

out.

i no longer had to

prove that I was a

man,

I didn’t have to prove

anything.

I began to see things:

coffee cups lined up

behind a counter in a

cafe.

or a dog walking along

a sidewalk.

or the way the mouse

on my dresser top

stopped there

with its body,

its ears,

its nose,

it was fixed,

a bit of life

caught within itself

and ts eyes looked 

at me

and they were

beautiful.

then-it was

gone.

I began to feel good,

I began to feel good

in the worst situations

and there were plenty 

of those.

like say, the boss

behind his desk,

he is going to have

to fire me.

I’ve missed too many

days.

he is dressed in a

suit, necktie, glasses,

he says,’ I am going

to have to let you go’

‘it’s all right’ I tell

him.

He must do what he

must do, he has a 

wife, a house, children,

expenses , most probably

a girlfriend.

I am sorry for him

he is caught.

I walk  onto the blazing

sunshine.

the whole day is

mine

temporarily,

anyhow.

(the whole world is at the

throat of the world,

everybody feels angry,

short-changed, cheated,

everybody is despondent,

disillusioned)

I welcomed shots of

peace, tattered shards of

happiness.

I embraced that stuff

like the hottest number,

like high heels, breasts,

singing, the

works.

(don’t get me wrong,

there is such a thing as cockeyed optimism

that overlooks all

basic problems just for 

the sake of

itself-

this is a shield and a

sickness.)

The knife got near my

throat again

I almost turned on the 

gas

again

but when the good 

moments arrievd 

again

I didn’t fight them off

like an lley 

adversary.

I let them take me,

I luxuriated in them,

I made them welcome

home.

I even looked into

the mirror

once having thought

myself to be

ugly,

I now liked what

I saw,almost

handsome, yes,

a bit ripped and 

ragged,

scares, lumps,

odd turns,

but all in all,

not all in all

not too bad,

almost handsome,

better at least than

some of those movies

star faces

like the cheeks of

a baby’s

butt.

and finally I discovered

real feelings of

others,

unheralded,

like lately,

like this morning,

as I was leaving,

for the track,

I saw my wife in bed,

just the 

shape of 

her head there

(not forgetting

centuries of the living

and the dead and 

the dying,

the pyramids,

Mozart dead

but his music still

there in the

room, weeds growing,

the earth turning,

the tote board waiting for 

me)

I saw the shape of my 

wife’s head,

she so still,

I ached for her life,

just being there

under the

covers.

I kissed her in the

forehead,

got down the stairway,

got outside,

got into my marvelous

car,

fixed the seatbelt,

backed out the

drive.

feeling warm to 

the fingertips,

down to my

foot on the gas

pedal,

I entered the world

once

more,

drove down the 

hill

past the houses

full and empty

of people,

I saw the mailman,

honked,

he waved

back 

at me.

Pain

The pain will hold on gently

As you move throughout your day

You’ll try to shake it softly

But quickly learn it wants to stay

It lingers in the corner 

It follows you around

Juts when you think you’ve lost it

You learn no solace can be found

So here’s a trick, I’ve learned a few

For me and pain, we’re good old friends

And pain’s afraid of love, you see

Because love, it always mends

So openup your eyes a bit

Inhale deep and strong

Look for the twinkle of loves presence

That surrounds you all day long

It could be here, it could be there

A thought, a mile, a gift

Look for the love in every moment

And your pain will start to shift

Just start small, and whynot now

Find something good to think of

Pain will shy away, you’ll see

When what you focus on is love

And bit by bit , you’ll chip away

At that old block you now call pain

And when you’re finished chipping

You’ll find that pain has a new name

3D Modeling

Before getting started with the tutorial, let’s introduce the software.

AutoCAD is developed and maintained by Autodesk, the software giant that also offers other CAD and 3D modeling programs like Inventor, Revit, Maya, 3ds Max, Tinkercad, and Fusion 360.

AutoCAD is professional design software, so the price is steep at $1,775 per year. Luckily, students and educators get unlimited free access for up to a year. If that’s not your case, there are some free alternatives to AutoCAD, as well. Additionally, Autodesk offers a 30-day free trial for anyone, which is more than enough time to follow along with this tutorial and learn if it’s the tool for you!

To download AutoCAD, you’ll first need to set up an Autodesk account. There are versions for both Windows and Mac, which vary slightly in terms of UI, but the installation processes are very straightforward.

Step 1: Know the UI

Ok, now we’re ready to play with the software. In the first step of this tutorial, we’ll get acquainted with the user interface and learn how to interact with and set up the workspace.

To start a new project in AutoCAD, click “New” on the left side panel. This is AutoCAD’s main working screen, where all 2D and 3D designing takes place. Basically, it’s composed of the following:

  • Quick Access Toolbar, with all the basics icons for actions like creating, opening, and saving projects. This can be easily customized, as we’ll see.
  • Ribbon, containing various tools and commands arranged in tabs. A ribbon-style toolbar is common in CAD software as it accommodates a huge number of tools in a compact interface.
  • Command Bar, where the user can enter commands manually by typing them here. It also lists the order of required steps to execute any given command and plus some extra tips.
  • Orientation tools, like the View Cube and NavBar, will be described in more detail next.

1.1: Basic Orientation

   The View Cube, in the top-right corner, is set to the top view by default. If you hover your mouse over it, a little house symbol will appear. Click on it to enter isometric view.

Now you’ll see a 3D Cartesian coordinate system in the middle of your drawspace, with three axes, and the View Cube has changed position. You can click on its faces, edges, and corners to go to the desired view.

The NavBar contains other orientation tools, but usually for CAD software, mouse shortcuts are preferred. To pan around the drawspace, simply hold down the wheel button and move the mouse around. Alternatively, click on the “hand” (pan) icon on the NavBar.

Hold down the Shift key and the mouse wheel together and, instead of panning, you’ll be orbiting the drawspace around the center of the coordinate system. There’s an Orbit button on the NavBar, too.

This covers the basics of drawspace orientation. Next, we’ll finish setting up the workspace so we can start 2D sketching.

1.2: Setting Up the Workspace 

    First, let’s bring out all the 3D modeling tools we’ll need to complete this tutorial.

Looking at the Quick Access Toolbar, click on the downward extend arrow to customize this toolbar. A dropdown menu will pop up; click on “Workspace” to enable this feature.

Now the Quick Access Toolbar will display a new button. By default, it’s “Drafting & Annotation”, but let’s change it to “3D Modeling” by clicking on it and selecting this choice from the dropdown menu. This will allow us to use all 2D and 3D tools required for our tutorial.

Lastly, to change units, click on the AutoCAD logo in the top-left corner. This will open the AutoCAD menu. Go to “Drawing Utilities > Units”. In this tutorial, we’ll use the metric system, so change the “Insertion Scale” to millimeters.

Now we should be all set to start designing!

Step 2: 2D Sketching

Before we drill down into three-dimensional objects, let’s have a look at 2D sketching first. AutoCAD is most known and used for its drawing capabilities, such as floor plans and layouts.

 2.1: Snapping 

  Grip snapping is a great feature for sketching with AutoCAD. To enable Grid Snap, simply press F9 on your keyboard or click on enable “Snap to Drawing Grid” at the bottom right-hand corner.

Click on the extend arrow next to the “Snap to Drawing Grid button” and select “Snap Settings…”. This window allows you to adjust the grid as well as the accuracy of the grid snap. Go to the “Object Snap” tab and enable it.

Now, by pressing F3, we can activate snapping to corners, lines, points, and midpoints, among many options. To select object snapping constraints, click on the extend arrow as shown. Click on “Tangent” to make it active, as shown above.

If you have problems with entering coordinates or sketching, try toggling “Snapping” on or off, and try not to use Grid and Object Snap simultaneously. This tool is useful to draw sketches fast and to prevent holes in your sketch.

2.2: Drawing Lines 

  To create your first sketch, select top view by clicking the View Cube and disable Grid Snap with F9.

Now either select the line command on the Ribbon or type in “line”. With AutoCAD, you can simply type in the first letters of any command, and the software will autocomplete and show any available commands.

Once you’ve entered the line command, it’ll ask you to specify the first point. You can either click a random point in your drawspace or enter the coordinates manually.

Enter 0 for the X-coordinate, change to the Y-coordinate input field by pressing Tab, and enter 0 there as well. Press Enter to confirm.

You’ve now selected the center of the coordinate system as the starting point of your line, also known as the CenterPoint, located at the coordinates (0,0).

2.3: Selecting Objects

  To select drawn objects, simply left-click on them. Unselect by holding down Shift and clicking again.

Select multiple objects by left-clicking (not holding) and moving the mouse from left to right. This will select all objects fully enclosed within the blue rectangle. Now, when you drag from right to left, you’ll select all objects touched by the green rectangle. Click once again to confirm the selection.

Clicking and holding the left mouse button will enable the lasso, which lets you select a random shape. With that, practice a little by selecting your square in a couple of different ways. Once you’re done, select it once more and either press the Delete key or type “delete” to erase it.

  2.4: Drawing Shapes

   Naturally, AutoCAD offers easier ways to draw simple shapes. Let’s draw a few shapes to create a new form. Stay with us, we promise we’re going somewhere.

Click the “Rectangle” icon on the ribbon or type it in on the command bar. Now, enter the rectangle origin as (0,0), just like we did for the line, and hit Enter.

Then, the rectangle command will ask the opposite corner coordinates. Enter the values of (10,60) and press Enter. (Note that, for this command, the Cartesian coordinates are kept, and the Object Snap must be turned off for the line to intercept the circle properly.) That’s it!

 2.5: Spline

 Next, let’s draw a spline. With the Spline tool, you can create continuous curves between connecting points.

Create a spline starting at the center point (0,0). First, you add a distance, followed by an angle. Then press Enter to go to the next point.

Enter the following polar coordinates: (20,30°), (5,300°), (5,55°), (10,30°), and (5,320°). For the last point, leave both values empty and manually intercept the ellipse like shown above. Now type in ‘T’ and hit Enter to end tangency. Press Enter once again.

You might already see what’s coming. We’re almost there.

2.6: Trim

The Trim command is used to remove extra lines up to an intersection.

Start by typing “trim” and click on a line segment to erase it. You should end with the image above. If you removed a line by mistake, click on “Undo” on the Quick Access Toolbar.

Be sure to take a close look at any lines stuck in between small edges. Those would likely become a problem if we were going to 3D model it. Hit Enter to confirm the trim once you’re finished.

2.7: Mirror

For this last step, we’ll use an important sketch tool: mirror. When drawing symmetrical sketches, it comes in handy to simply draw one half of a sketch and then mirror it.

Type in “mirror” and then select the entire sketch and confirm with “enter”. Select CenterPoint (0,0) as the first point of mirror line and for the second point a positive coordinate along the Y-axis.

Click “No” on the question to remove the source object. That’s it! Congratulations! You’ve now sketched your first 2D draft in AutoCAD!

Step 3: 3D Modeling

3D modeling might be one of the most interesting parts of this tutorial. Going 3D will allow you to design your own models for 3D printing.

3.1: Creating Basic Shapes

Let’s start with some direct modeling tools. This is when we use predefined shapes like spheres and cubes to create objects via Boolean operations (union, subtraction, and intersect).

First, switch to the isometric view through the View Cube by clicking on the little house icon.

Now let’s start by creating a perfectly round body. Type in “sphere” and center it at (0,0). Once that’s set, move your mouse around it to gain form. Alternatively, enter a value for the radius which in this case is 10 mm.

This how you create basic three-dimensional shapes. Easy enough, right? Still, the object doesn’t really look like a solid yet. Let’s change that.

3.2: Changing Visuals

If you want to change the visual effects when displaying 3D objects, you can do so by typing in “visualstyles”. A new window will open where you can choose the visual style you prefer.

Let’s change the visual style from “2D Wireframe” to “Shades of Grey”. That’s looking more like it!

Now, let’s try some of the Boolean operations mentioned before. First, let’s create a cylinder that overlaps the sphere we just created.

To do that, type in “cylinder” and draw the base of the cylinder just like you would a simple circle. Choose the CenterPoint (0,0) as the origin and go for a 10 mm radius. Next, similarly to the sphere, move the mouse downwards to see it extrude. Set its height to 25 mm and confirm by pressing Enter. Now we should have something like this:

The first operation we’ll learn here is union, where objects are merged. The sphere and cylinder might look like one piece but they’re still two separate parts.

To join them, type in “union” and select both shapes. Confirm the operation by hitting Enter, and now you should have one solid body.

Another basic operation is subtraction. Let’s reverse the last union operation first by clicking on “Undo” at the Quick Access Toolbar.

Now type in “subtract” and enter the command. First, we need to select the object to subtract from. Select the cylinder and confirm by pressing Enter. Then, select the sphere as the object to subtract and confirm.

And there you should have it, the shape of the sphere has been carved into the cylinder.

The last Boolean operation is to intersect the objects. This should keep only the areas that two or more objects overlap. Let’s undo the subtract operation and try intersecting these objects.

Type in “intersect” and select the sphere and cylinder. By confirming the operation, you’ll see the results as a hemisphere. This is because the cylinder only overlaps the bottom half of the sphere.

With basic shapes and these three simple operations, we can design a huge range of parts already. Next, we’ll see how solid modeling works in AutoCAD.

3.3: Solid Modeling

  Instead of playing with basic shapes to construct an object, the more complex models require a different approach altogether. For this, either create a new drawing or delete anything that’s currently in your drawspace.

The tools we’ll see next are common in the 3D CAD world, mostly being referred to by the same names. Let’s start out by creating a simple 3D polygon with one of the most useful features: Extrude.

3.4: Extrude

Start by creating a 2D sketch of an octagon. Type in “polygon” and press Enter. First, set the number of sides to 8, then select the CenterPoint (0,0) as the center, and click on “Circumscribed about circle”.

Enter an 80 mm radius and confirm. Now to the fun part. First, type in “extrude” and press Enter. Select the 2D octagon shape we just drew and again press Enter to create a 3D object.

If you move the mouse upwards you’ll see the polygon extrusion. Set the height to 25 mm and confirm it with the Enter key. The extrusion operation can be made with any sketch as long as it’s a closed shape.

3.5: Revolve

The next feature in our tutorial is called Revolve. This is an uncomplicated way to design shafts or objects with line symmetry. Clear your drawspace and let’s get going.

Once more, start by sketching the object. Start a line at the CenterPoint and follow the ‘E’ shape, as shown above, creating lines until the shape is closed.

Now, to make this solid, type in “revolve”. First, select everything and confirm. Now, for the rotation axis, type in ‘Y’ and press Enter. (You should see the shape rotate around the Y-axis.)

Set the angle to 360° for a full rotation and confirm. This will create a solid object. Interesting, right?

3.6: Loft

Now, let’s learn a couple of other features for creating solids. We’ll start with Loft. First, clear your drawspace or create a new project.

Draw a circle on the CenterPoint with a radius of 100 mm. Then, create a hexagon at a higher plane. To do that, type in “polygon” and select 6 sides. Before entering the coordinates for its center, click on the command bar and type in “0,0,50”.

This will tell AutoCAD to create the sketch on a plane parallel to XY but at a 50 mm height. Finish the polygon by entering a radius of 80 mm.

Type in “Loft” to start this feature. Select both the circle and the hexagon, then press Enter. Select “Cross Sections only” to finalize the tool.

This will connect both shapes and create a solid within. It’s a great way to combine non-matching shapes like circles and polygons.

3.7: Sweep

The Sweep feature comes in handy when designing curved structures. To do a sweep, you’ll need to sketch a base geometry first. Draw any polygon you like on the CenterPoint.

Next, we need to change the coordinate system to draw on another plane other than XY. To do this, go to the Front view, type in “ucs” and then “v” to make this the new Top view.

Now, draw an arc at the origin (0,0) by typing “arc”. This will be the sweep path. Draw a wide arc, not crossing itself, similar to the image above.

Finally, type in “sweep”, select first the drawn arc, and confirm. Then select base and once again press Enter. You should have your solid body.

While the feature looks simple, it allows us to make highly complex objects.

That’s it! We’ve covered a lot of ground. So far, we’ve learned the most important tools for 3D modeling, from handling basic shapes to the more traditional CAD features. Next, we’ll look at how to manipulate these objects.

Step 4: Moving & Aligning Objects

We should be able to 3D design almost any part in AutoCAD with the features and techniques learned in the previous step.

However, objects can also be composed of multiple parts that are “assembled” together. Let’s find out how to move and assemble different 3D models.

Basics first. Moving an object is a very straightforward operation that can be done in multiple ways. Start by creating a cylinder centered at (0,0), 100 mm in diameter, and 500 mm in height.

4.1: 3D Move

Now, let’s move out from the origin. Type in “3D move” and confirm the command. The first thing to do is to select the parts to move. In our case, select the cylinder and press Enter.

Next, we need to select a base point for the move. With your mouse, select the center point of the cylinder’s base. Hit Enter to confirm.

Once we’ve confirmed what we want to move, there are various ways to move the cylinder around: with the mouse through the XY plane or by entering a distance and direction for the move through polar coordinates.

We can also perform linear translations through the XZY axes. Note the three-axis arrow shape at the center of the cylinder. Click on the blue one (Z) to move it vertically with the mouse or by entering the distance.

This last move operation can be done by simply selecting the object. You’ll note that the arrow axis will be displayed.

4.2: 3D Rotate

We can also manipulate objects through simple rotation. This is especially useful for objects that are sketched in the XY plane but require repositioning.

Let’s lie down our cylinder. Type in “3D rotate”, select the object, and press Enter. Note the three circles now surrounding the cylinder. Each corresponds to a rotation axis and is colored accordingly.

For example, if we wanted to rotate an object through its Z-axis, we would use the blue handle, which is the color of the Z-axis.

Now, let’s give our cylinder a 90° rotation through the X-axis. Click the red circle. Note that the cylinder will rotate around this axis when you move the mouse. Either spin it to 90° or enter the value and confirm.

4.3: Align

Both the 3D Move and 3D Rotate tools allow us to fully manipulate objects in space. Sometimes, though, we require something faster and perhaps even more intuitive to move and place bodies.

This is where 3D Align comes in. With this, we can quickly position two or more objects in relation to each other, so don’t delete your cylinder yet! Let’s create a sphere 30 mm in diameter centered at (0,0).

Type in “align” and confirm the command. Select the sphere only and press Enter. Now, select the center of the sphere as the base point and then select the center of one face.

A straight line will be drawn, representing the movement of the sphere. Confirm with Enter and you’ll see both shapes aligning. Cool, right?

This can be quite useful when using basic shapes and Boolean operations, as you can imagine.

Step 5: Working with Technical Drawings

AutoCAD is a great tool for generating technical drawings of models created in 3D.

We’ll first need a model and template sheet for our drawing. We’re using the part we created in step 3 using the Revolve feature, with the only difference being the 40 mm hole on the central axis.

For the template, we’ll use one from AutoCAD for now but you can find many other models online or even design one for yourself.

Make sure only the part we want to detail is in the drawspace. Then right-click on the “+” in the bottom left corner and click “From Template…”. Select the “Tutorial-mMfg” template that comes with AutoCAD.

This will open a new window with the template sheet we selected. You can put your name and the project’s name in the title block at the bottom right of the sheet by double-clicking it.

5.1: Inserting Model Views

Go to the “Layout” tab on the Ribbon, then click “Base > From Model Space”.

Click to place the first view, which is Front by default, in the middle of the sheet. You’ll notice a small options window will pop up.

Here you can switch the view to a different one by clicking on “Orientation”. If the model is too large or small, click on “Scale” and change the scaling factor. For our model, set the scale to 1:2.

Click on “Exit” from the options window to confirm that view. You can now continue to place other views by dragging the mouse horizontally or vertically.

Create a Top view under the first view as shown. Then, move the view from a 45° angle to create an isometric view at the lower right corner. Type ‘X’ and press Enter to finalize.

5.2: Adding Dimensions

Dimensions are the most important piece of information in a technical drawing. Sometimes the number of dimensions can be quite overwhelming, so try to follow these three basic rules:

Start with the smallest detail

Annotate a detail only once

Annotate every detail

Let’s add some dimensions to this drawing. First, switch to the “Annotate” tab on the Ribbon and select the “Dimension” command. This is a smart command which adapts to the feature you want to annotate.

Now click on either a line or two points to annotate its distance. You’ll then see the length or radius, and you can place the dimensions accordingly.

Position each annotation as to not intercept other lines or numbers and make sure it’s not too close to the view. For our model, it should look something like the above images.

If you want to add dimensions to circles or holes, first hover the mouse over that feature. You can switch between radius and diameter by typing ‘R’ or ‘D’ on your keyboard.

5.3: Section View

Section views are very common in technical drawings as they can show internal details and geometry that otherwise would be missed.

To create a section view, go to “Layout > Create View > Section View”. Select the view you want to create a section from followed by clicking on two points for the section line.

Confirm by pressing Enter and place the section view just like we did previously. You’ll see that AutoCAD will do all the hard work.

Step 6: Working with Meshes

Working with meshes is very important for those interested in 3D printing. If you want to 3D print or share your creations with other people, you’ll need to create or even edit a mesh file.

Formats like STL and OBJ are purely surface representations of a 3D geometry, and for this reason, CAD software like AutoCAD and others sometimes suffer from compatibility.

Generally speaking, AutoCAD can export to STL and OBJ just fine, but can’t natively import these formats. There are, however, a couple of ways to bypass this problem.

You Are a Rose

I once heard someone say,

If you don’t change you do not grow,

But I waved the thought away,

For who were they to think they know,

I’d always stayed the same,

A heart that thrived within the cold,

And I had no desire to change,

At least that’s what I had been told,

But deep within my mind,

A thought grew slowly, bit by bit,

Until I felt trapped in my skin,

For it no longer seemed to fit,

There’s a whole world sitting out there,

Changing every single day,

That proves it’s nothing to be scared of,

If you do it the right way,

For a day afraid to turn to night,

Will miss the silver moon,

And a flower that refuses change,

Will never get to bloom,

I had thought I was a thorn bush,

Only good for snagging clothes,

But if you do not dare to change,

You’ll never find out you’re a rose.

Hold on !

If you can keep your head when all about you

Are losing theirs and blaming it on you,

If you can trust yourself when all men doubt you,

But make allowance for their doubting too;

If you can wait and not be tired by waiting,

Or being lied about, don’t deal in lies,

Or being hated, don’t give way to hating,

And yet don’t look too good, nor talk too wise:

If you can dream- and not make dreams your master;

If you can think- and not make thoughts your aim;

If you can meet with triumph and Disaster

And treat those two impostors just the same;

If you can bear to hear the truth you’ve spoken

Twisted by knaves to make a trap for fools,

Or watch the things you gave your life to, broken,

And stoop and build ’em up with worn-out tools:

If you can make one heap of all your winnings

And risk it on one turn of pitch-and -toss,

And lose, and start again at your beginnings

And never breathe a word about your loss;

If you can force your heart and nerve and sinew

To serve your turn long after they are gone,

And soo hold on when there is nothing in you

Except the Will which says to them: ‘ Hold on!’

If you can talk with crowds and keep your virtue,

‘ Or walk with kings- nor lose the common touch

if neither foes nor loving friends can hurt you,

If all men count with you, but none too much;

If you can fill the unforgiving minute

With sixty seconds’ worth of distance run,

Yours is the Earth and everything that’s in it,

And- which is more – you’ll be Man, my son!

Soulmate

Our eyes made love to 

each other long

beforehand…

you were something

that felt so new

yet so familiar to me,

like a place I have never

been but somehow never

left.

I think I have known you

my whole life and loved

you a while longer.

New Life

Everything you see

has its roots

in the unseen world.

The forms may change,

yet the essence

remains the same.

Every wondrous sight

will vanish,

every sweet words will fade.

But do not be disheartened,

the source the come from

is eternal–

growing, branching out,

giving new life

and new joy.